{"id":4153,"date":"2022-01-10T22:17:46","date_gmt":"2022-01-10T22:17:46","guid":{"rendered":"http:\/\/localhost:8000\/?page_id=4153"},"modified":"2023-03-29T15:11:04","modified_gmt":"2023-03-29T22:11:04","slug":"woman-red-in-tooth-and-claw","status":"publish","type":"page","link":"https:\/\/www.catholicboy.com\/WP\/questions-and-answers\/about-the-webmaster\/woman-red-in-tooth-and-claw\/","title":{"rendered":"&#8220;Woman, Red in Tooth and Claw&#8221;"},"content":{"rendered":"\n<p><em><strong>Woman, Red in Tooth and Claw:<br>Angry Essentialism, Abjection, and Visionary Liberation in Women&#8217;s Performances<\/strong><\/em><br>Doctoral Dissertation by <a href=\"https:\/\/www.catholicboy.com\/WP\/about-the-webmaster\/\">Cassie Carter<\/a><br>Bowling Green State University, 1998<br> Vivian M. Patraka, Advisor<\/p>\n\n\n\n<p>Angry Essentialism, a new trend in feminism that emerged in the 1980s, champions the notion of Female &#8220;Nature, red in tooth and claw&#8221; as a site constituting power for women. Exploiting the clash between two definitions of &#8220;Female Nature,&#8221; Angry Essentialism reveals a problematic intersection between a variety of feminist and avant-garde ideals. Focusing on the performances and criticism of Karen Finley and Holly Hughes, this study argues that, if Angry Essentialism is to succeed as a feminist practice, it must historicize the image of the abject, angry Woman and interrogate the ideological assumptions that created her.<\/p>\n\n\n\n<p>The introductory chapter describes the processes by which, over the past 2,000 years, Western culture has constructed Woman as the embodiment of chaos, darkness, mystery, and terror. Chapter One then traces a genealogy of Angry Essentialism in the history of feminist performance. Angry Essentialism is a reasonable development in feminism; however, the combination of anger and abjection that characterize Angry Essentialism is difficult to reconcile with earlier approaches. Hence, chapter two examines the influences of the poete maudit, Shamanic, and Dionysian traditions of the avant-garde, which employ physical abjection, anger, and irrationality as weapons for breaking down oppressive ideologies, and as positive creative forces. Although these traditions highlight the liberatory potential of Angry Essentialism for women, feminists must be wary. The female &#8220;power&#8221; Angry Essentialism reclaims is rooted in eons-old ideologies that construct women as monsters. As a result, a woman employing avant-garde practices in her work risks confirming the abject, &#8220;out-of-control&#8221; stereotypes that already define her.<\/p>\n\n\n\n<p>Angry Essentialism is equally precarious for critics attempting to formulate it in feminist discourse. Hence, chapter three centers on criticism of Karen Finley to demonstrate that many concepts feminists accept as self-evident turn out to be rooted in the same essentialist ideologies they are trying to deconstruct. The final chapter addresses additional difficulties for critics concerning spectator response, concluding with a discussion of Holly Hughes&#8217;s work to show that Angry Essentialism can in fact be a materialist feminist practice which dismantles essentialist constructions of Woman for liberatory purposes.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Woman, Red in Tooth and Claw:Angry Essentialism, Abjection, and Visionary Liberation in Women&#8217;s PerformancesDoctoral Dissertation by Cassie CarterBowling Green State University, 1998 Vivian M. Patraka, Advisor Angry Essentialism, a new trend in feminism that emerged in the 1980s, champions the notion of Female &#8220;Nature, red in tooth and claw&#8221; as a site constituting power for &hellip; <a href=\"https:\/\/www.catholicboy.com\/WP\/questions-and-answers\/about-the-webmaster\/woman-red-in-tooth-and-claw\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">&#8220;Woman, Red in Tooth and Claw&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":3974,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_post_was_ever_published":false,"footnotes":""},"folder":[18],"class_list":["post-4153","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P9VlUH-14Z","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":3974,"url":"https:\/\/www.catholicboy.com\/WP\/questions-and-answers\/about-the-webmaster\/","url_meta":{"origin":4153,"position":0},"title":"About the Webmaster","author":"catholicboy.com","date":"January 10, 2022","format":false,"excerpt":"Greetings! My name is Cassie Carter, and I am the scholar, designer, coder ... everything behind Catholicboy.com. I have been a Jim Carroll fan since I first heard of him in 1987, and a Jim Carroll scholar since 1989. 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Heavy leather coat, scarf of soft blues and Russian black cap that the nubile students flirt over. This rainy March\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":4222,"url":"https:\/\/www.catholicboy.com\/WP\/research\/academic-studies-of-jim-carroll\/heroin-use-gender-and-affect-in-rock-subcultures\/","url_meta":{"origin":4153,"position":2},"title":"Heroin Use, Gender, and Affect in Rock Subcultures","author":"catholicboy.com","date":"January 10, 2022","format":false,"excerpt":"Home > Research > Academic Studies > Heroin Use, Gender, and Affect in Rock Subcultures Heroin Use, Gender, and Affect in Rock Subcultures By Jason Middleton, Duke University Echo Volume 1.1 (Fall 1999) In recent years the phenomenon referred to as \"heroin chic\" has gained great visibility in mainstream culture\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":9869,"url":"https:\/\/www.catholicboy.com\/WP\/research\/music-reviews\/david-duncan-review-of-pools-of-mercury-memphis-flyer-1998\/","url_meta":{"origin":4153,"position":3},"title":"David Duncan-Review of Pools of Mercury-Memphis Flyer 1998","author":"Cassie Carter","date":"May 30, 2025","format":false,"excerpt":"Review by David D. DuncanMemphis Flyer, 28 December 1998 Listening to Jim Carroll\u2019s music is a lot like reading his poetry \u2013 it\u2019s usually a harrowing journey, but one worth all the ensuing trauma. Pungent, street-smart urban poet Carroll returns to the rock arena after a 14-year absence with Pools\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":10166,"url":"https:\/\/www.catholicboy.com\/WP\/research\/performance-reviews\/jim-carroll-at-hothouse-chicago-1999-review-by-j-a-carpenter\/","url_meta":{"origin":4153,"position":4},"title":"Hothouse, Chicago (1999)","author":"Cassie Carter","date":"June 5, 2025","format":false,"excerpt":"Jim Carroll\u00a0at HothouseChicago, IL (5\/8\/99)Review by\u00a0J. A. Carpenter Well, Jim Carroll fans, dig this... I saw Jim Carroll in Chicago at the Hothouse...and it was awful and amazing all at the same time. Bad omens everywhere. I wonder what Jim will tell Cassie or what he has told her but\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":9560,"url":"https:\/\/www.catholicboy.com\/WP\/background\/friends-influences\/important-people-in-carrolls-life-and-work\/artistic-influences-mentors-supporters\/arthur-rimbaud\/","url_meta":{"origin":4153,"position":5},"title":"Arthur Rimbaud","author":"Cassie Carter","date":"May 21, 2025","format":false,"excerpt":"Portrait of Arthur Rimbaud at the age of seventeen, by \u00c9tienne Carjat, c. 1872. (Open Source) French poet Arthur Rimbaud (1854-1891) has been a tremendous inspiration and influence on avant garde art and literature since at least the 1960s in the USA, and his life and work were especially influential\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.catholicboy.com\/WP\/wp-content\/uploads\/2025\/05\/image-15.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.catholicboy.com\/WP\/wp-content\/uploads\/2025\/05\/image-15.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.catholicboy.com\/WP\/wp-content\/uploads\/2025\/05\/image-15.png?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.catholicboy.com\/WP\/wp-json\/wp\/v2\/pages\/4153","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.catholicboy.com\/WP\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.catholicboy.com\/WP\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.catholicboy.com\/WP\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.catholicboy.com\/WP\/wp-json\/wp\/v2\/comments?post=4153"}],"version-history":[{"count":5,"href":"https:\/\/www.catholicboy.com\/WP\/wp-json\/wp\/v2\/pages\/4153\/revisions"}],"predecessor-version":[{"id":6923,"href":"https:\/\/www.catholicboy.com\/WP\/wp-json\/wp\/v2\/pages\/4153\/revisions\/6923"}],"up":[{"embeddable":true,"href":"https:\/\/www.catholicboy.com\/WP\/wp-json\/wp\/v2\/pages\/3974"}],"wp:attachment":[{"href":"https:\/\/www.catholicboy.com\/WP\/wp-json\/wp\/v2\/media?parent=4153"}],"wp:term":[{"taxonomy":"folder","embeddable":true,"href":"https:\/\/www.catholicboy.com\/WP\/wp-json\/wp\/v2\/folder?post=4153"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}