Jim Carroll: Poet with a Past
This is the second half of a two-part talk with poet/ performer/ writer/ singer Flagpole: When you began writing The Basketball Diaries, was Jim Carroll: I was interested in being a writer. The poetry I thought was, FP: Uh huh. Carroll: He made me do it because he thought he saw something in my FP: He’s like, “This is way too much.” Carroll: Talent you can’t learn. Judgment you have to learn. So it takes a FP: When you published The Basketball Diaries and Forced Carroll: The Basketball Diaries weren’t edited at all. After I FP: I know the feeling. Carroll: Some woman, like a professor at some college, she found in these FP: Ruin the document quality? Carroll: I did write 10 pages after it was in The Paris Review. They FP: Right. Carroll: Like the new book, Fear Of Dreaming, which has most of FP: Which has been made into a movie? Carroll: It’s playing in Canada. It won one of the big Canadian film FP: Right. Carroll: But it’s really great. Very literary and it’s a short story and FP: Are there any poets working today who really move you? Carroll: Basically, I read prose. When I read poetry I go to the tried and FP: You’ve got a surreal thing going on. Carroll: You can’t really make a movie of something like On The FP: Well, they’ll try, and it will make a lot of money, so it will never Carroll: Well, I hated the direction, but I loved his acting. FP: Have you seen him as Rimbaud in the Total Eclipse Carroll: Yeah, I went to the premiere. It was weird. The woman who played FP: At least there is some substance. Carroll: I think it could have been done better. Douglas A. Martin This interview was originally found at http://www.flagpole.com/Issues/04.17.96/Carroll.html
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